Ray Charles You Don't Know Me 186 bpm • G# Maj • 03:55 • -9.1db59% Popularity • 32% Danceability • 43% Energy • 14% Liveness0% Instrumentalness • 24% Positiveness
Cannonball Adderley Dancing In The Dark 185 bpm • F Maj • 04:07 • -7.5db53% Popularity • 38% Danceability • 25% Energy • 6% Liveness13% Instrumentalness • 38% Positiveness
Benny Goodman Quartet Bei Mir Bist Du Schoen, Part 1 - 1996 Re... 188 bpm • E min • 03:21 • -12db21% Popularity • 62% Danceability • 36% Energy • 12% Liveness14% Instrumentalness • 88% Positiveness
Sarah Vaughan Misty 185 bpm • F Maj • 03:02 • -14db55% Popularity • 20% Danceability • 20% Energy • 37% Liveness0% Instrumentalness • 14% Positiveness
Catherine Russell Don't Take Your Love From Me 184 bpm • G# Maj • 04:52 • -11db57% Popularity • 38% Danceability • 14% Energy • 14% Liveness0% Instrumentalness • 19% Positiveness
Ernestine Anderson That Old Feeling 189 bpm • D min • 02:28 • -10.1db36% Popularity • 42% Danceability • 21% Energy • 9% Liveness0% Instrumentalness • 30% Positiveness
Ben Webster Stardust 182 bpm • C# Maj • 02:26 • -21.93db56% Popularity • 44% Danceability • 3% Energy • 16% Liveness55% Instrumentalness • 51% Positiveness
Fats Waller What Do You Know About Love? 180 bpm • D Maj • 02:10 • -18db35% Popularity • 51% Danceability • 45% Energy • 12% Liveness90% Instrumentalness • 67% Positiveness
Melody Gardot If You Love Me 182 bpm • C min • 04:34 • -14.15db60% Popularity • 24% Danceability • 21% Energy • 10% Liveness9% Instrumentalness • 13% Positiveness
Erroll Garner Misty - Remastered 2020 179 bpm • F Maj • 02:47 • -20db58% Popularity • 33% Danceability • 14% Energy • 9% Liveness88% Instrumentalness • 14% Positiveness
Billie Holiday Body And Soul 179 bpm • G# Maj • 06:18 • -15.47db43% Popularity • 44% Danceability • 9% Energy • 10% Liveness0% Instrumentalness • 22% Positiveness
The Dave Brubeck Quartet Three to Get Ready 179 bpm • C Maj • 05:23 • -17.58db47% Popularity • 45% Danceability • 19% Energy • 16% Liveness47% Instrumentalness • 69% Positiveness
Dexter Gordon Cry Me A River 179 bpm • C min • 03:42 • -12db49% Popularity • 46% Danceability • 20% Energy • 10% Liveness28% Instrumentalness • 34% Positiveness
Miles Davis Flamenco Sketches 179 bpm • D min • 09:26 • -21.07db54% Popularity • 35% Danceability • 2% Energy • 9% Liveness11% Instrumentalness • 22% Positiveness
Bobby Darin What a Difference a Day Makes 176 bpm • D min • 03:36 • -33.39db48% Popularity • 28% Danceability • 0% Energy • 7% Liveness0% Instrumentalness • 10% Positiveness
Art Tatum Blue Skies 177 bpm • F# Maj • 02:52 • -19.11db55% Popularity • 44% Danceability • 9% Energy • 9% Liveness93% Instrumentalness • 59% Positiveness
Billie Holiday Embraceable You 178 bpm • D# min • 06:45 • -16.49db30% Popularity • 40% Danceability • 9% Energy • 11% Liveness0% Instrumentalness • 21% Positiveness
Madeleine Peyroux Back in Your Own Back Yard 176 bpm • A# Maj • 02:32 • -10db57% Popularity • 50% Danceability • 45% Energy • 13% Liveness0% Instrumentalness • 61% Positiveness
Glenn Miller In the Mood - Live 175 bpm • G# Maj • 03:29 • -9.72db64% Popularity • 46% Danceability • 65% Energy • 37% Liveness92% Instrumentalness • 59% Positiveness
Nancy Wilson Save Your Love For Me 174 bpm • E min • 02:44 • -14.45db52% Popularity • 39% Danceability • 5% Energy • 8% Liveness0% Instrumentalness • 16% Positiveness
The Dave Brubeck Quartet Take Five 174 bpm • G# min • 05:24 • -13.19db72% Popularity • 45% Danceability • 26% Energy • 7% Liveness0% Instrumentalness • 60% Positiveness
Etta James Stormy Weather 174 bpm • C min • 03:07 • -8.03db72% Popularity • 26% Danceability • 36% Energy • 18% Liveness0% Instrumentalness • 43% Positiveness
Tommy Dorsey Song of India 174 bpm • F Maj • 03:06 • -13db37% Popularity • 41% Danceability • 23% Energy • 43% Liveness89% Instrumentalness • 63% Positiveness
Ray Charles I've Got a Woman 199 bpm • A Maj • 02:51 • -4.73db72% Popularity • 56% Danceability • 61% Energy • 26% Liveness0% Instrumentalness • 66% Positiveness
Jeri Southern After You 173 bpm • F min • 02:50 • -12.02db32% Popularity • 13% Danceability • 25% Energy • 34% Liveness0% Instrumentalness • 11% Positiveness
Nancy Wilson The Masquerade Is Over 174 bpm • A# Maj • 04:18 • -18.11db58% Popularity • 34% Danceability • 4% Energy • 16% Liveness1% Instrumentalness • 13% Positiveness
Nat King Cole Nature Boy 173 bpm • D min • 02:53 • -19.76db60% Popularity • 20% Danceability • 9% Energy • 11% Liveness2% Instrumentalness • 12% Positiveness
Bill Evans I Hear A Rhapsody 173 bpm • C min • 04:40 • -26db49% Popularity • 38% Danceability • 4% Energy • 13% Liveness94% Instrumentalness • 12% Positiveness
Dizzy Gillespie Manteca 173 bpm • F min • 03:06 • -4.5db32% Popularity • 45% Danceability • 79% Energy • 11% Liveness93% Instrumentalness • 57% Positiveness
Harry Connick, Jr. We Are In Love 200 bpm • G Maj • 02:40 • -15db51% Popularity • 37% Danceability • 35% Energy • 9% Liveness0% Instrumentalness • 52% Positiveness
Charlie Parker Scrapple From The Apple 201 bpm • F Maj • 02:41 • -11.68db44% Popularity • 42% Danceability • 40% Energy • 18% Liveness80% Instrumentalness • 74% Positiveness
Shirley Horn And I Love Him 173 bpm • F min • 02:29 • -18db53% Popularity • 41% Danceability • 16% Energy • 16% Liveness1% Instrumentalness • 52% Positiveness
Betty Carter Isn't It Romantic 172 bpm • G min • 01:44 • -10db32% Popularity • 52% Danceability • 31% Energy • 30% Liveness0% Instrumentalness • 82% Positiveness
Astrud Gilberto Dindi 170 bpm • B min • 02:41 • -19db52% Popularity • 22% Danceability • 10% Energy • 9% Liveness0% Instrumentalness • 18% Positiveness
Morgana King If You Could See Me Now 170 bpm • G# Maj • 03:24 • -17.71db37% Popularity • 25% Danceability • 14% Energy • 17% Liveness0% Instrumentalness • 20% Positiveness
Fats Waller Spring Cleaning 170 bpm • F min • 02:27 • -14db45% Popularity • 64% Danceability • 30% Energy • 50% Liveness23% Instrumentalness • 81% Positiveness
Tommy Dorsey I'm Getting Sentimental Over You 170 bpm • F# Maj • 04:28 • -17.75db34% Popularity • 18% Danceability • 7% Energy • 10% Liveness97% Instrumentalness • 14% Positiveness
Chet Baker There Will Never Be Another You - Vocal ... 169 bpm • D# Maj • 03:00 • -16db59% Popularity • 51% Danceability • 11% Energy • 7% Liveness0% Instrumentalness • 58% Positiveness
Ella Fitzgerald Summertime 168 bpm • B min • 04:58 • -21.3db67% Popularity • 17% Danceability • 7% Energy • 14% Liveness0% Instrumentalness • 10% Positiveness
The Andrews Sisters Boogie Woogie Bugle Boy 167 bpm • G Maj • 02:41 • -11.55db53% Popularity • 64% Danceability • 48% Energy • 10% Liveness0% Instrumentalness • 79% Positiveness
Art Tatum Tea for Two 167 bpm • C# Maj • 03:13 • -13db53% Popularity • 36% Danceability • 45% Energy • 14% Liveness86% Instrumentalness • 52% Positiveness
Lorez Alexandria I'm Through With Love 165 bpm • A# Maj • 05:25 • -17.64db41% Popularity • 38% Danceability • 13% Energy • 14% Liveness2% Instrumentalness • 23% Positiveness
Lee Morgan Since I Fell For You - Rudy Van Gelder E... 166 bpm • G# Maj • 05:39 • -11db54% Popularity • 42% Danceability • 20% Energy • 11% Liveness80% Instrumentalness • 37% Positiveness
Teddy Wilson Yankee Doodle Never Went to Town - Take... 162 bpm • G# Maj • 02:42 • -11.3db25% Popularity • 59% Danceability • 29% Energy • 17% Liveness0% Instrumentalness • 77% Positiveness
Glenn Miller Let's Have Another Cup Of Coffee - 2002... 161 bpm • D# Maj • 03:03 • -9.24db40% Popularity • 58% Danceability • 41% Energy • 12% Liveness0% Instrumentalness • 69% Positiveness
The Andrews Sisters Bei Mir Bist Du Schoen - 1937 Single Ver... 164 bpm • C Maj • 03:06 • -9.79db40% Popularity • 64% Danceability • 34% Energy • 60% Liveness0% Instrumentalness • 80% Positiveness
As an expert and enthusiast, I have access to a vast amount of information and can provide insights on a wide range of topics. While I don't have personal experiences or emotions like a human, I can provide factual information and answer questions based on the data available to me.
Regarding the information you provided about different songs, it seems to be a list of music previews with details such as the tempo, key, duration, popularity, danceability, energy, liveness, instrumentalness, and positiveness. These details can be useful for analyzing and categorizing music based on various characteristics.
To provide more specific information about the concepts used in the article you mentioned, I would need the actual content of the article. If you can provide the text or a summary of the article, I'll be happy to help you with any questions or discussions related to it.
